A few months ago, I got an email from Katie Holmes, a classical guitarist and music student at Columbus State University in Georgia. She had read my book of poems inspired by the National Cathedral gargoyles and was hoping I’d be okay with her setting some of them to music.
I told her to go for it. Her YouTube channel showed that she’s a talented and promising musician with an impressive formal education, and I was eager to see what she’d do.
Ms. Holmes debuted her first composition inspired by Looking Up on April 3—and, to my delight, she did much more than merely set a poem to music. Instead, she took “An Octopus Reappraises Her Lobster,” one of the earliest and most popular poems in the series, and committed a riskier act of artistic interpretation, turning it into a composition for…voice and marimba!
[Go to this YouTube link if the video doesn’t work.]
Just when I think life is low on surprises, there it is: a trained vocalist takes the stage to sing, with all due solemnity, “I hear the hot breath of the lobster I love.”
Without the cathedral and its grotesques to put it in context, this piece of bittersweet light verse becomes a surreal new work of art, a echo from an eerie, alien, inverted world well beyond my imagining. It’s its own weird beastie, and I love it.
As I wrote to Katie, I’m glad she felt free to make this poem hers. We all long for readers, listeners, and fans, but having an interpreter—essentially an artistic collaborator—is a rare and unexpected gift.
* * * * *
AN OCTOPUS REAPPRAISES HER LOBSTER
I hear the hot breath of the lobster I love;
The trees wilt below us; there’s nothing above.
You snore and I shudder, for sleepless I know
The oath of adventure we swore long ago:
“Between us, our limbs number eighteen in all;
Let’s creep from this tank and slip over the wall
And forever be free! Let’s aspire to perch
On a spire of our own on the loftiest church.”
You clawed at my tentacle, tender and green,
Like the first awkward kiss of a king and his queen.
You scuttled, I swam; through the garden we went.
Where grass gripped the stones, we began our ascent.
A lobster lives long, as no octopus can,
But a lobster has in him but one perfect plan.
I longed for longevity; no girl expects
To ask of her lobster, “So what happens next?”
You curl up contentedly, dreaming of me;
I cling to my cornice and scarcely feel free.
“I won’t let you down,” you once vowed, and I sighed.
I love that you’re honest; I wish you had lied.
5 thoughts on ““A concert of kings, as the white sea snaps…””
Congratulations! It was fun listening to it. Now, how do you feel about a Pogues cover? 🙂
Hey, I’d welcome a Pogues cover, or any sort of musical interpretation, as long as the person doing so gives me a heads-up. Adaptations like this mercifully take a bit of the ego and solitude out of writing.
Hah, hah! I love this collaboration! What fun, that she found you and wanted to dance a dance with your work. Indeed, it is cheering to hear that line sung…
I was really charmed by it, and I hope she has time, between schoolwork, music, and general life stuff, to adapt more of the poems. It was wonderful: a project I’d put behind me three years ago suddenly came alive again…
Well, some of us are still reading them! And now, listening…