“We are, we are, we are but your children…”

A couple years ago, I thought I’d closed the book on Charlemagne, but current events will forever conspire to take me back to dear old Francia—like this story from today’s New York Times:

New Year’s Surprise: 4,000 Dead Blackbirds

Times Square had the ball drop, and Brasstown, N.C., had its descending possum. But no place had a New Year’s Eve as unusual — and downright disturbing — as Beebe, Ark.

About 10 p.m. Friday, thousands of red-winged blackbirds began falling out of the sky over this town about 35 miles northeast of Little Rock. They landed on roofs, roads, front lawns and backyards, turning the ground nearly black and scaring anyone who happened to be outside.

“One of them almost hit my best friend in the head,” said Christy Stephens, who was standing outside among the smoking crowd at a New Year’s Eve party. “We went inside after that.”

Noting that there’s nothing new under the Arkansas sun, Scott Nokes at Unlocked Wordhoard points out that the Anglo-Saxon Chronicle mentions a massive avian death-fest in A.D. 671. He’s right—but let’s also not forget Theodulf of Orleans and his very odd poem, “The Battle of the Birds.”

Readers of this blog know Theodulf as a witty poet who served as bishop of Orleans during the reign of Charlemagne. In his later years, the old Goth was implicated in a plot against Louis the Pious, and he spent his exile pleading his innocence and composing a lengthy poetic epistle to Moduin, bishop of Autun. In what appears to be a murky personal and political allegory (Dümmler, MGH Poetae I, 563-569), Theodulf dwells first on a weird story about a dry river and then spins two yarns about flocks of birds that clash like ancient armies.

In verse rich with allusions to classical warfare, Theodulf describes the birds dispatching envoys back and forth and then rushing to slaughter each other like Romans and Phoenicians. Here’s what Theodulf claims an eyewitness, Gerard, told his informant, Pascasius, about the aftermath:

Glans cadit autumno veluti de stipite querna,
Maturum et folium iam veniente gelu,
Non aliter avium moriens exercitus illic
Decidit et magna strage replevit humum.
Nam teres aestivis impletur ut area granis,
Campus ita extincta sic ave plenus erat.
A borea in boream veniens pars parva reversa est;
Tota in utraque cohors parte perempta iacet.
Res sonat ista, venit populus factumque stupescunt,
Mirantur variae membra iacentis avis.
Ipse Tolosana praesul quoque venit ab urbe
Mancio; plebs rogat, haec ales an esca fiat.
“Inlictis spretis, licitas adsumite,” dixit.
Plaustra onerant avibus, in sua quisque redit.

(Here’s my own quick translation)

As autumn acorns drop from oaken branch
And old leaves yield before the coming frost,
In no contrary way that troop of birds
Did fall, and such great slaughter filled the earth.
Like summer grain on polished threshing floors,
The battlefield was strewn with slaughtered birds.
A few that flew from north were northward turned;
On either side, a cohort lay, all dead.

The word went out. The folk drew round, amazed,
And marveled where lay limbs of different birds;
The bishop of Toulouse came from the town.
“Are wingéd omens edible?” they asked.
“Leave what’s proscribed, take what’s allowed,” said he.
Their wagons packed with birds, they headed home.

There’s no evidence that Theodulf’s third-hand anecdote was based in reality, nor is it the source for the pseudo-Charlemagnian quip, “Let my armies be the rocks and the trees and the birds in the sky.” Alas, in this case, medieval precedent isn’t very instructive. My only hope is that the good people of Beebe, Arkansas, will seek advice from someone other than their local bishop when they ponder the edibility of creatures that plummet en masse from the sky.

“Turn the clock to zero, honey…”

[This post originally ran two years ago, but repeating it feels like a fine way to welcome 2011.]

From time to time, I dig through the poetry of Theodulf, ninth-century bishop of Orleans, looking for nuggets to translate. Theodulf was a wit, so I’ve had fun making modern English versions of his Latin verses about pilgrimages, libations, wildlife, stolen horses, and children’s dreams. But what, I wondered, could Theodulf do for me on New Year’s Day?

I shouldn’t have worried; the old Goth didn’t let me down. In the middle of a dull poem about faith, hope, and charity (Dümmler, MGH Poetae I, 466-467), I found four lovely lines of Latin, and I plucked ’em:

Nam pia dona spei tereti signatur in ovo,
Tegmine obumbratum quod vehit intus habens:
Ut pullum ova tegunt, sic spem praesentia celant,
Hic patet exutus, illa futura parat.

With the reckless optimism of a Leyendecker baby, I give you this translation:

To see the blessed gift of hope, behold
The egg that keeps a secret in its shell:
The present, hiding hope, conceals it well;
The future cracks it: tiny wings unfold.

Those of you who read Latin are shaking your heads at this rather free rendering. So be it! It’s a new year! Old habits limp to their graves, ashamed! Besides, I did some research and found that these four lines have been translated repeatedly throughout the centuries, often by poets who took far greater liberties than I did.

For example, here’s a little-known translation by Langston Hughes:

THEODULF AT THE 125th ST. DINER

The sunny side
An egg supplied
Upon t’morrow gambled.
It hides in a shell
That poached it well
And never got it scrambled.
The present keeps our dreams deferred.
The future hatches: out pops a bird.

And here—dear reader, I was as astonished to discover it as you surely are—is a translation of Theodulf by none other than T.S. Eliot:

PERTELOTE SENESCENS

The sea-birds race inland from the storm
Above the subtile chicken seeking quiet in the barn
Where she dares not hope
“Lasciate ogne speranza, voi ch’intrate“—
But for the egg:
The shell conceals our tatterdemalion past—
The shell incubates our necessitous future
—and hope becomes a farmer
With shards of egg in his desquamative palm
Forgetting the recrudescent monotony of the plow, straining
To hear the eager peeping in the straw.

My translation isn’t looking quite so loose now, is it?

On behalf of Theodulf, T.S. Eliot, Langston Hughes, and a room full of imaginary chickens, I wish you a happy and recklessly hopeful new year.

“It’s based on a novel by a man named Lear…”

Mirabile visu: Modern technology comes to “Quid Plura”!

You can now use a spiffy pulldown menu to buy a paperback copy of The Tale of Charlemagne and Ralph the Collier (here or on the original post) with either your credit card or your Paypal account.

It’s so easy, a Lombard could do it.

Just specify your location, hit “Buy Now,” and order a copy of what Charlemagne surely would have called “an engaging translation of the only chivalric romance where I totally get slapped in the face,” had the Frankish king spoken colloquial modern English and not been above providing marginally humiliating book endorsements.

Select a shipping option:
Book + shipping within U.S. $12.50 Book + shipping to Canada or Mexico $14.50 Book + shipping outside North America $16.50


This translation, which mingles folklore, chivalry, and burlesque humor in a riot of alliteration and rhyme, should appeal to fans of medieval literature, readers who get a kick out of formal narrative poetry, and those of you who come here for the gargoyles. By buying a copy of this literary oddity, you’ll be helping keep “Quid Plura?” afloat while also letting me know there’s a readership for future translations of lesser-known medieval tales.

For more information about The Tale of Charlemagne and Ralph the Collier (including a PDF preview), check out the original post from January. To order a Kindle copy, proceed post-haste to Amazon. And thanks, as always, for your eyeballs, which make this whole medievalist undertaking entirely worthwhile.

“And he plays at stocks and shares, and he goes to the regatta…”

When I asked the owl on the north nave to contribute a poem to this project, I assumed from his mortarboard, scroll, and book that he’d hand me a pile of self-aggrandizing verse. Instead I got this shamefully loose translation of a pseudo-Ovidian poem written sometime between the 12th and 14th centuries. I guess a gargoyle, like the occasional human, reserves the right to remain enigmatic.

THE LOMBARD AND THE SNAIL

Loudly, the Lombard lopes over the landscape, and stops;
Leery, he lights on the lushest and loveliest crops.
Frabjous he feels, for his fields are not fated to fail—
Then forth springs a spectacle strange and stupendous: a snail.
Cowed and confounded, he quivers and quavers and groans;
Witless, he whitens, as wonderment welters his bones.
Seizing his senses, he summons the sangfroid to say:
“Fie on a felon! My fortune is forfeit today!
No suchlike scoundrel has slithered or skulked here before.
Mark well his message: he musters to meet me in war.
Horns are his heralds; his shield makes his handiwork plain.
Shall I not spurn him? No—better, in sooth, to be slain.
What if I poke and provoke him? Perhaps I’ll prevail!
Minstrels and merchants will mimic my marvelous tale.
What am I saying? To fight with a fiend is uncouth!
Easier warfare abounds; it’s a world-weary truth.
Men will say ’madness!,’ maligning me under their breath:
’It’s not meet and fitting to seek an uncivilized death.’
What if my children should walk by this waelstow and see?
Faced with this fiend, they would fathom his fierceness and flee!
Still, they’d concede that this combat is clearly unfair:
Armed is this beast, but no buckler or broadsword I bear.”
Fretful, he freezes, as Fear grapples fiercely with Shame;
Shame is pugnacious, but Fear keeps his temperament tame.
Competent counsel can kindle a capable life;
Thus he petitions the heavens, and checks with his wife.
Promptly, the gods promise palms for the victor, and praise;
Nervous, he nurtures no trust in their numinous ways.
Thence to his wife; she is timorous, tearful, and true:
“Listen, you lunatic, what are you looking to do?
Scuttle your strife; let your spirit sit safe on a shelf.
Mind no more monsters—and muse over more than yourself.
Spurn not your children and spouse! Let your senselessness stall;
Ill-omened days will bring dolor and doom to us all.
Hector would crumble, and even Achilles would quail;
Fast would the firmness of Hercules fracture and fail!”
Roused, he retaliates: “Rein in your runaway fears!
We who dare Death are undaunted, dear woman, by tears.
Great be the gods, for they grant me a glorious name.
You and the family fare well! For I follow my fame.”
Forth to the field, where he faces the fiend in the fray;
Stalking around him, he steadies his stomach to say:
“Beast, you are feral, unnatural, immoral, and vague!
Monster of monsters, as mean as the mortalest plague,
Hold high your horns! I am horrified hardly at all.
Show me your shield! Into no stealthy shell shall you crawl.
Righteous, I raise my right hand! Now your ruthless reign stops!
Savagely sully no more my salubrious crops!”
Swinging and swatting and shaking and sticking his spear,
Panting, he presses; the palm of the victor is near.
For heroes who rate such renown, what reward is supplied?
The matter is lofty; their lawyers will likely decide.


(For all the entries in this series, hit the “looking up” tag.)

“The circuit boards are linking up in rhyme…”

The people have spoken!

The Tale of Charlemagne and Ralph the Collier is now available for the Amazon Kindle.

The crack staff of editorial kobolds here at “Quid Plura?” headquarters made every effort to tailor the Kindle version to the quirks of the device rather than simply upload it and let the formatting fall where it may. Since the poem survives only in an early printed edition, a version for the first generation of serious e-readers does seem entirely appropriate. (At least to the kobolds, who end up trying to think way too deeply when they don’t have any proofreading to do.)

To download a copy for the Kindle, go here. To read more about this translation, or to order a shiny new paperback copy, go here.

Everyone else, stay tuned! More medieval madness, Charlemagniana, and gargoyle goodness is on the way.

“…and every one of them words rang true, and glowed like burning coal…”

[UPDATE: As of December 2012, information on purchasing The Tale of Charlemagne and Ralph the Collier as either a paperback or an e-book can be found here.]

In 2007, I posted my translation of the 15th-century romance “The Taill of Rauf Coilyear,” a 972-line Middle Scots poem about the kerfuffle that ensues when Charlemagne, separated from his entourage by a snowstorm, seeks refuge in the home of a proud and irascible collier (a sort of medieval Tommy Saxondale). Combining folklore motifs with burlesque humor and elements of chansons and chivalric romances, “Rauf Coilyear” is a lively but rarely-read tale of courtesy, hospitality, and knighthood. To my knowledge, it’s also the only medieval romance in which Charlemagne totally gets slapped in the face.

Because enough people found the earlier version both readable and entertaining, I’m pleased to make The Tale of Charlemagne and Ralph the Collier available as a snazzy 56-page paperback. The translation—which imitates the form of the original in 75 thirteen-line rhyming, alliterative stanzas—is freshly polished and lightly annotated, and the bibliography is current. I’m offering this little book as a literary curiosity, an experiment in self-publishing, and a way to help defray the costs of maintaining this blog.

To preview this book, you can see a low-res PDF of sample pages or view larger images of the front and back cover.

No one else has ever translated “Rauf Coilyear” into rhyming, alliterative, modern English verse, and I doubt anyone else will be nutty enough to try—so whether you’re a longtime reader of this blog, a student of medieval literature, or a collector of truly obscure manifestations of Charlemagniana, I hope you’ll find this translation a satisfying read. Despite what Mamillius claimed, sometimes a sad tale isn’t best for winter after all.

“Turn the clock to zero, honey…”

From time to time, I dig through the poetry of Theodulf, ninth-century bishop of Orleans, looking for nuggets to translate. Theodulf was a wit, so I’ve had fun making modern English versions of his Latin verses about pilgrimages, libations, wildlife, stolen horses, and children’s dreams. But what, I wondered, could Theodulf do for me on New Year’s Day?

I shouldn’t have worried; the old Goth didn’t let me down. In the middle of a dull poem about faith, hope, and charity (Dümmler, MGH Poetae I, 466-467), I found four lovely lines of Latin, and I plucked ’em:

Nam pia dona spei tereti signatur in ovo,
Tegmine obumbratum quod vehit intus habens:
Ut pullum ova tegunt, sic spem praesentia celant,
Hic patet exutus, illa futura parat.

With the reckless optimism of a Leyendecker baby, I give you this translation:

To see the blessed gift of hope, behold
The egg that keeps a secret in its shell:
The present, hiding hope, conceals it well;
The future cracks it: tiny wings unfold.

Those of you who read Latin are shaking your heads at this rather free rendering of the original. So be it! It’s a new year! Old habits limp to their graves, ashamed! Besides, I did some research and found that these four Latin lines have been translated repeatedly throughout the centuries, often by poets who took far greater liberties than I did.

For example, here’s a little-known translation by Langston Hughes:

THEODULF AT THE 125th ST. DINER

The sunny side
An egg supplied
Upon t’morrow gambled.
It hides in a shell
That poached it well
And never got it scrambled.
The present keeps our dreams deferred.
The future hatches: out pops a bird.

And here—dear reader, I was as astonished to discover it as you surely are—is a translation of Theodulf by none other than T.S. Eliot:

PERTELOTE SENESCENS

The sea-birds race inland from the storm
Above the subtile chicken seeking quiet in the barn
Where she dares not hope
“Lasciate ogne speranza, voi ch’intrate“—
But for the egg:
The shell conceals our tatterdemalion past—
The shell incubates our necessitous future
—and hope becomes a farmer
With shards of egg in his desquamative palm
Forgetting the recrudescent monotony of the plow, straining
To hear the eager peeping in the straw.

My translation isn’t looking quite so loose now, is it?

On behalf of Theodulf, T.S. Eliot, Langston Hughes, and a room full of imaginary chickens, I wish you a happy and recklessly hopeful new year.

“…with kitchen prose and gutter rhymes.”

[UPDATE: As of January 2010, information on purchasing or downloading The Tale of Charlemagne and Ralph the Collier can be found here.]

Last December, I posted a PDF of “The Tale of Charlemagne and Ralph the Collier,” a translation of a 972-line Middle Scots romance from the 15th century. This translation was, in part, an attempt to prove to myself that I could turn 75 of those complex, thirteen-line, rhyming, alliterative stanzas into modern English poetry.

Sharp-eyed readers sent me useful comments, and although I hadn’t expected anyone to be looking for a translation of this obscure poem, quite a few people do regularly search for it and find it via Google. As a result, I’ve corrected two typos, made minor edits, and posted a second revision of the text. You can download the new low-res PDF (for free!) from this page.

For students of medieval literature, “Ralph the Collier” has much to recommend it: combat, class warfare, burlesque humor, inclement weather, Yuletide feasts, politically incorrect proselytizing—plus it rhymes and alliterates. As another Christmas hero named Ralph observed, “sometimes, at the height of our revelries, when our joy is at its zenith, when all is most right with the world, the most unthinkable disasters descend upon us.” The hard-earned but ultimately comic lessons learned by Charlemagne and Ralph the Collier suggest that sometimes, a sad tale’s not best for winter after all.

“Keeping versed and on my feet…”

As Today in Literature reminds us, yesterday, April 18, was the day Chaucer’s pilgrims set out for Canterbury. Appropriately, my block was packed with pilgrims passing to and fro, some of them heading to the zoo, the hooly blisful pandas for to seke, others hiking up the hill to our friendly neighborhood Gothic cathedral.

The cathedral grounds were in full bloom today: camera-toting tourists, elderly couples asleep in the grass, wedding parties, flirting lovers, romping puppies, children fleeing bees, even bagpipers, as if to lead us grandly out of town. Beauty intermingled with chaos; Chaucer no doubt would approve.

But not every medieval poet took the path of the pilgrim for granted. Writing six centuries before Chaucer, that old wit Theodulf, bishop of Orleans during the reign of Charlemagne, rolled his eyes at peregrinatory pretensions:

Qui Romam Roma, Turonum Turonove catervas
Ire, redire cupis cernere scande, vide.
Hinc sata spectabis, vites et claustra ferarum;
Flumina, prata, vias, pomiferumque nemus.
Haec dum conspicies, dum plurima grata videbis,
Auctoris horum sis memor ipse dei.

Here, inspired by an afternoon on the green alongside the Bishop’s Garden, is a shamefully loose translation:

You clamor for the crowd, for something more;
So take your tour of Rome, and roam to Tours.
The tender crops are all we gather here,
By berries, brooks, and barns, and byways clear.
So go—for if you stay, you’ll just recall
In simple sights the one who made it all.

I know! Spring fever is my only defense. The tulips made me do it.

In denying the pilgrimage instinct, Theodulf fought, with snide futility, the tide of human nature. Geoffrey Chaucer better understood his fellow man—in fact, I think Geoffrey better understood a great many other truths as well—but Theodulf was right about one thing: Some days, whatever it is you’re looking for, that unnamed source of fulfillment and beauty which seems like it ought to be elsewhere, may turn up outside your own door.

“One more drop of poison and you’ll dream of foreign lands.”

Theodulf was an oenophile, as the below translation makes clear. Had I a router and any discernible woodworking skill, I’d make this poem into a little plaque and market it as home decor. (Take that, “Footprints” prayer!)

I was tempted to translate the second word in the title as “drinkatorium.” Theodulf might have liked that.

SUPER PROPINATORIUM

Qui latices quondam vini convertit in usum,
Et fontis speciem fecit habere meri,
Ipse piis manibus benedicat pocula nostra,
Et laetum faciat nosmet habere diem.

ABOVE A BAR

May He who water changed to needful wine
And vintage drink from vessels bade to pour
With hands so holy bless our cups once more,
And grant our day be joyful and divine.